The Tamron 70-180mm F2.8 Di III VC VXD G2 is the second ‘Generation 2’ lens in Tamron’s alternative trinity for Sony E-mount cameras. It follows in the footsteps of Tamron 28-75mm F2.8 Di III RXD G2 ...

Tamron Announces 90mm F2.8 Di III VXD Macro Lens for Sony E-mount and Nikon Z-mount cameras; Learn More Info at B&H Photography News: Tamron releases a new 90mm f/2.8 Di III VXD Macro lens for ...

The latest iteration of Tamron’s iconic 90mm macro lens offers leading-edge technology and superior performance for owners of Sony’s E-mount and Nikon’s Z-mount cameras.

The Sony NEX-3 features a new lens mount dubbed the Sony E-mount, and at launch, Sony is offering three E-mount lenses compatible with its NEX-series camera bodies -- a 16mm f/2.8 prime ...

We've all seen post-credits scenes at the end of movies, but one on a lens trailer is a first for me – and it teases a new third-party autofocus Canon RF lens!

A new rumor suggests Sony could be planning to launch its first-ever pancake lens for full-frame Sony E-mount cameras. The ...

The days of third-party lens manufacturers just making generic, budget copies of the marquee brands are long gone, and the new Sigma 28-105mm F2.8 DG DN Art for E-mount and L-Mount cameras ... or the ...

The NIKKOR Z 28-135mm f/4 PZ is a standard zoom lens with power zoom that covers the focal range from 28mm to 135mm. It is designed to provide ease of use and superior optical performance for video ...

The company lists about 30 lenses on its site, all using the Micro Four Thirds mount. As with its bodies, Sony's lenses can be surprisingly light. Even its 400mm f/2.8 is light enough to hand-hold ...

Opinions expressed by Forbes Contributors are their own. Jeryl Brunner covers theater, entertainment and lifestyle stories. “So often people think of crime as a stranger jumping out of an alley ...

Hear from Tamron Hall about the importance of nurturing your life and what she has in store for Season 6. Tamron Hall looks ahead to season 6 of 'The Tamron Hall Show' ...

At 11mm, central sharpness is excellent from f/2.8 to f/11 and still very good at f/16. The edges are good at f/2.8, very good at f/4, excellent at f/5.6, very good at f/8 and f/11 and good at f ...