A light-skinned, gray haired man faces the viewer, visible from the chest up. He has long gray hair that is tied back with a black ribbon. His eyes are blue, and his complexion is pink, especially ...

We see the head and shoulders of a woman in the extreme foreground at lower center left, standing among some large rocks. She has long straight dark hair and pronounced dark circles around her eyes as ...

At center, the body of a man with white hair and a long white beard is held in a shroud. A pair of winged angels in long white robes hold his head, and another pair hold his feet, as they bend forward ...

A white plate featuring a scalloped edge with a gold rim. The plate has relief flowers around the rim and in the bowl of the vessel. There are four flower groupings around the rim, with one flower ...

An rectangular opaque watercolor painting depicting a standing woman who is dressed in a long white dress and veil behind her head. The woman stands in the center and is looking down at a bush with ...

The painted ink image shows a woman standing on an angular, brown branch with small blue buds on it. The branch has small, grey wavy lines beneath it. There are also a small, blue object and a white ...

This page has a painting on one side and a rectangle with four columns of black text on the other. The painting features a man with shoulder-length black hair and a black mustache riding a white horse ...

A camel figurine standing and facing the left of the viewer. It is on a faded grey background. It is colored yellow-tan with dark brown discoloration along its legs and the front of its neck. It ...

The central image of the ink drawing depicts a perfectly symmetrical, circular garden, lined with paths and surrounded by a wall. In the foreground, four standing figures in long, column-like robes ...

Rodin deemed a head and arms to be superfluous to this sculpture; stripped of these, the torso and legs alone express the essential concept of movement. Rodin created many such fragments (that is, ...

This subject’s furrowed brow and close-cropped hair, rendered with simple chisel marks, place this portrait in the third century, a time of prolonged political upheaval, when Roman emperors were ...

Rising from a roughly cut base of marble resembling a large rock, two nude figures are delicately carved and polished smooth. A young man on his knees holds his arms behind his back, leaning forward ...