Huang Xi’s Daughter’s Daughter is, as the title suggests, a generational drama, but one that encompasses four generations of ...

The most overwhelmingly emotional viewing experience I had at the Toronto International Film Festival last year, Azazel Jacobs’ tender, beautifully-acted drama His Three Daughters follows Carrie Coon, ...

The “old world” is a wasteland. People still live there, but not for very long. Those in the “new world” live hundreds of ...

The level of enjoyment audience members will have with Andrew DeYoung’s Friendship is tied directly to their tolerance for ...

On paper, there are few filmmakers who seem less-suited to the rigors of a project like Eden than Ron Howard. This is the ...

Andrews’ Bring Them Down is an endurance test with no payoff. Opening with a jarring car crash on a windy road in rural ...

While we ponder how exactly the fiasco surrounding Todd Haynes' would-be next film is going down in the household of Joaquin ...

I’m not old,” says Shelley, the longest-term performer in a past-its-prime Las Vegas revue. She is played by Pamela Anderson, ...

With the 62nd New York Film Festival just a few weeks away, one of my favorite moments between the movies is connecting with ...

Arguably the most surprising Golden Bear winner in ages was Mati Diop's Dahomey, a documentary-of-sorts concerning royal ...

There was slight trepidation going into Bonjour Tristesse. Justifying itself as another “adaptation” of Françoise Sagan’s text rather than remake of Otto Preminger’s masterpiece of mise-en-scène, ...

The world is ending and nobody cares in Ick, Joseph Kahn’s latest genre offering after 2017’s Bodied and 2011’s Detention. Despite only making four features in 20 years, Kahn is ubiquitous in pop ...